RENCONTRES

A Musical and Cultural Exploration

Work: «Rencontres»

Composer: Juan Arroyo

Instrument: saxophone quartet

Description: Despite having started composing at a very young age, around the age of eight, this piece composed in 2005, at the age of 23, represents my first Opus. Indeed, before leaving Peru, I had composed several pieces for string quartet, orchestra, and other formations, but my penchant for perfection led me to think that everything I had written until then were merely studies or sketches of composition. Its title reflects the creative stimulation I experienced during my first months in Europe and my encounter with a hitherto idealized culture. Composed for saxophone quartet, the form of the work as well as its title materialize in the writing of intertwined solos. The knowledge and integration of different playing techniques in my music are closely linked to my time in the city of Bordeaux, where the headquarters of the European Saxophone Center is located, and to a decisive encounter with saxophonist Marie-Bernadette Charrier, professor of the saxophone class at the Bordeaux Conservatory and artistic director of the Proxima Centauri ensemble. The world premiere of «Rencontres» took place in June 2005 by the Quatuor 2.5, at the Bordeaux Conservatory, France.

Author: Juan Arroyo

Composer in residence at the Center Henri Pousseur (2014), IRCAM (2015), Cité Internationale des Arts (2015), Member of the Academy of France in Madrid – Casa de Velazquez (2016), at the Art Zoyd Music Creation Center (2017), member of the Académie de France in Rome – Villa Médicis (2017), Juan Arroyo is actually the guest composer of the National Orchestra of Peru, co-artistic director and conductor of the Regards ensemble, co-artistic director of the Sonomundo Festival, curator of the Experimenta festival at the Great National Theater of Peru, professor at the d’Argenteuil conservatory and member of the Artistic Council of the Casa de Velasquez. Juan Arroyo was born in Lima, Peru. He studied composition at the Conservatories of Lima, Bordeaux and at the National Conservatory of Music and Dance in Paris. He deepens his musical knowledge in formations like Voix Nouvelles and the IRCAM. He has been guided by eminent composers such as Allain Gaussin, Brian Ferneyhough, Heinz Holliger, Henri Pousseur, Jean-Yves Bosseur, Luis Naón, Mauricio Kagel, Michael Levinas, and Stefano Gervasoni. His music is rewarded with numerous awards such as the prize of the Salabert Foundation (2013), the prize of the Academy of Fine Arts of France (2015) and the Ibermusicas composition award (2022). He receives prestigious commissions from the French Ministry of Culture, Radio France, Centre Henri Pousseur, SACEM and Donaueschinguen Musiktage. His works are performed by eminent musicians such as Ensemble Intercontemporain, L’Itinéraire, Linea, LAPS, L’Arsenale, Proxima Centauri, Sonido Extremo, National Orchestra of Peru, Vertixe Sonora and Tana Quartet. His music is performed at great festivals such as Ars Musica, Présences, Cervantino, La Chaise-Dieu, Ensems and ¡Viva Villa! His compositional work revolves around sound hybridization. Indeed, in 2014, he began a fundamental stage of his artistic work with the construction of new instruments capable of transmuting their sound, the TanaInstruments. This allowed him to hybridize the perceptual cues of sounds in order to reveal the evocative and irrational nature of their substance, sometimes making them enigmatic.

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