| > Twitter "Juan Arroyo shows that contemporary music is a global idiom with Mater Natura" By Omer Corlaix Published on June 19, 2024 |
| > DNA Magazine "The apotheosis was for Wayra aux Indes parallèles" By Anne Muller Published on May 11, 2024 |
| > Scherzo Magazine "One of the most important voices to follow in Latin American music today." By Ismael G. Cabral Published on May 6, 2024 |
| > Atonalité Café Interviewed by Emilio Rauld Published November 23, 2023 |
| > Andina Tv Interviewed by César Chaman  |
| > France Musique travels to South America to listen to what is happening at the level of contemporary music! By Thomas Vergracht  |
| > Metaclassique Interviewed by David Christoffel Published January 25, 2023 |
| > Crescendo Magazine By Bernard Vincken Published on December 9, 2022 |
| > Twitter "Brilliantly performed by Clémence de Forceville, Juan Arroyo brings down the house at Les_Theatres with two breathtaking pieces for solo violin." By Laurent Vilarem Published on November 4, 2022 |
| > Hémisphère Son "Delicately crafted, the last pages of the score re-establish a vertical dimension (...) a moment of singular emotion which takes place in a suspended time where the order of the ritual is established." |
| > France Musique By Flore Caron Published on November 9, 2022 |
| > Diapason Magazine "The ensemble, very virtuoso, superbly interpreted by Clémence de Forceville, sweeps across the entire range of the violin in a perfectly structured progression." By Anne Ibos-Augé Published on November 8, 2022 |
| > Salon de musique By Laurent Vilarem Published on November 5, 2022 |
| > Sul Ponticello magazine Interviewed by Álvaro Ocampo, Diego Berrospi y Mark Contreras Published on November 2, 2022 |
| > France Musique Interviewed by Corinne Schneider Published on October 2, 2022 |
| > Anaclase magazine "Earth in Flames is propelled by the telluric percussion of Benoit Poly, contrasting with the pianistic ginnings of Eau sans souffle under the fingers of Hilomi Sakaguchi. The flute carries the scent of Air ensabled, before the bellowing volubility of the saxophone n takes Feu sans rives towards an irresistible final fireworks display." by Gilles Charlassier Published on February 12, 2022 |
| > Radio France International Interviewed by Jordi Batalle Published on February 8, 2022 |
| > Metaclassique Magazine Interviewed by David Christoffel Published on January 12, 2022 |
| > Hémisphere son Magazine The finesse of the work in rehearsal is immediately evident here, led by Juan Arroyo, an imaginative composer who we discover that evening also a conductor, clear and expressive: this finesse builds the work, and listening gains in contemplation" |
| > Hémisphère Son "Juan Arroyo recreates through the acoustic instrument the world of the electric guitar and its distortion (...) and other effects (...) spectacular testimonies to the power of our composer's gesture and imagination, challenging his performer." |
| > OJO DORADO magazine “If there is a Peruvian musician who has carried the integration of electronic lutherie and instrumental writing to a definitive degree of maturity, that is Juan Arroyo.” |
| > Centro del Sonido "Juan Arroyo has made a name for himself thanks to the originality of his contributions in electroacoustics and the visceral intensity of his instrumental writing." |
| > La Cartelera Interviewed by Carlos Hernando Castro  |
| > Agitación y Cultura Interviewed by Olga Ayuso Published on March 5, 2020 in Canal Extremadura  |
> Expreso newspaper "To review the history of Juan Arroyo is to find the traces of a journey that is nothing other than the product of a talent dedicated to the passion of his determined vocation and the search for quality, recognized in his production." |
| > Radio France internationale Interviewed by Jordi Batalle Published on May 20, 2019 for Radio France International  |
| > El compositor habla Interviewed by Ruth Prieto Published on November 17, 2018 in El Compositor Habla  |
| > France Musique Du son hybride à l'instrument hybride Interviewed by Clément Lebrun Published on November 13, 2018 for Cri du Patchwork by France Musique  |
| > MProvence Interviewed by Diane Vandermolina Published on October 6, 2018 for Provence journal  |
| > Rmt News "He offers the opportunity to discover a playful and surprising project, captivating, with its hybrid instruments (...) which play on their own (...) This protest work seduced us as it proved to be so topical." |
| > RAI 3 Interviewed by Riccardo Giagni Published on the 11th of 2018 by Radio3 Rai  |
| > El compositor habla Interviewed by Ruth Prieto Published on June 11, 2018 by El Compositor Habla  |
| > Codalario.com Interviewed by Ruth Prieto Published on June 7, 2018 for Codalrio.com  |
| > France Musique Full broadcast and portrait of the composer By Anne Montaron Published on February 17, 2018 on France Musique  |
| > Crítica: Sonido Extremo en Ensems "Poetry and cante jondo crossed and embraced in the “powerful environment of tribal rhythms, acoustic sensations and expressive intensity." |
| > Spanish Radio and Television Interview on RTVE's Música Viva program by Eva Sandoval Published on May 21, 2017  |
| > Radio Filarmonía National Symphony Orchestra of Peru performs works by Jean Sibelius and Juan Arroyo By Juan José Tyz Published on August 8, 2017  |
| > Andina Radio Interview on the program De Cazuela by Carlos Carlín Published on July 25, 2017  |
| > Caretas magazine Juan Arroyo at Gran Teatro Nacional By Caretas Published on August 10, 2017  |
| >Caretas Juan Arroyo estrena obra en Gran Teatro Nacional...by Ernesto Carlín Publicado el 10 de Agosto del 2017  |
| > El compositor habla Juan Arroyo premieres Smaqra in Tunisia By Ruth Prieto Published on December 26, 2016  |
| > France Musique Juan Arroyo and Jeanne Maisonhaute on France Musique Interviewed by Bruno Letort Published on December 26, 2016  |
| > El Peruano journal A Peruvian at the French Academy By Ernesto Carlín Gereda Published on June 28, 2016  |
| > Bachtrack magazine "Juan Arroyo contributes to stimulating and enriching our perceptual experiences and his work on the transformation of sounds places us, as listeners, between the real and the unreal and on the borders of the unheard and the magic of sound" by Fabien Houles Published on April 1, 2016  |
| > El Comercio journal "Juan Arroyo, the composer who reinvents electroacoustic music" By Alonso Almenara Published on January 24, 2016  |
| SMAQRA: the emergence of hybrid string quartet/IRCAM Forumnet By Juan Arroyo Published on January 15, 2016 >Learn more...
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| > El compositor habla Interviewed by Ruth Prieto Published on September 22, 2015  |
| > Le Soir journal By Serge Martin Published on 27 May 2015  |
| > France Musique France Musique/Le Magazine de la Contemporaine By Arnaud Merlin / Le reportage de Pierre Rigaudière Published on February 9, 2015  |
| Diapason / Jeu de masques By Bertrand Boissard  |
| > Quatuor Hybride - Naissance d'une liberté nouvelle By Alonso Almenara Published on January 14, 2015  |
| > Lamula.pe "In my opinion, the most radical of the Peruvian composers of the last decades." |
| > Vincent Trollet compositeur "he manages, thanks to an undeniable inventiveness in the orchestration, to create a mineral form that is slashed and lacerated with uppercut gestures." |
| > Ser peruano Juan Arroyo's first string quartet will be premiered Published on October 14, 2013  |
| > Anaclase Journées de la composition By Jorge Pacheco Published on October 7, 2011  |
| > On va à Royaumont comme on veut, à pied... "Fertility, the composer's imagination arousing that of the listener, which fortunately escapes the composer's control. Even if that of Juan Arroyo seems limitless." By Philippe Danel Published on September 18, 2010 |
