PRESSE

> Twitter "Juan Arroyo shows that contemporary music is a global idiom with Mater Natura"
By Omer Corlaix
Published on June 19, 2024
> DNA Magazine "The apotheosis was for Wayra aux Indes parallèles"
By Anne Muller
Published on May 11, 2024
> Scherzo Magazine "One of the most important voices to follow in Latin American music today."
By Ismael G. Cabral
Published on May 6, 2024
> Atonalité Café
Interviewed by Emilio Rauld
Published November 23, 2023
> Andina Tv
Interviewed by César Chaman
> France Musique travels to South America to listen to what is happening at the level of contemporary music!
By Thomas Vergracht

> Metaclassique
Interviewed by David Christoffel
Published January 25, 2023
> Crescendo Magazine
By Bernard Vincken
Published on December 9, 2022
> Twitter "Brilliantly performed by Clémence de Forceville, Juan Arroyo brings down the house at Les_Theatres with two breathtaking pieces for solo violin."
By Laurent Vilarem
Published on November 4, 2022
> Hémisphère Son "Delicately crafted, the last pages of the score re-establish a vertical dimension (...) a moment of singular emotion which takes place in a suspended time where the order of the ritual is established."
> France Musique
By Flore Caron
Published on November 9, 2022
> Diapason Magazine "The ensemble, very virtuoso, superbly interpreted by Clémence de Forceville, sweeps across the entire range of the violin in a perfectly structured progression."
By Anne Ibos-Augé
Published on November 8, 2022
> Salon de musique
By Laurent Vilarem
Published on November 5, 2022
> Sul Ponticello magazine
Interviewed by Álvaro Ocampo, Diego Berrospi y Mark Contreras
Published on November 2, 2022
> France Musique
Interviewed by Corinne Schneider
Published on October 2, 2022
> Anaclase magazine
"Earth in Flames is propelled by the telluric percussion of Benoit Poly, contrasting with the pianistic ginnings of Eau sans souffle under the fingers of Hilomi Sakaguchi. The flute carries the scent of Air ensabled, before the bellowing volubility of the saxophone n takes Feu sans rives towards an irresistible final fireworks display."
by Gilles Charlassier
Published on February 12, 2022
> Radio France International
Interviewed by Jordi Batalle
Published on February 8, 2022
> Metaclassique Magazine
Interviewed by David Christoffel
Published on January 12, 2022
> Hémisphere son Magazine
The finesse of the work in rehearsal is immediately evident here, led by Juan Arroyo, an imaginative composer who we discover that evening also a conductor, clear and expressive: this finesse builds the work, and listening gains in contemplation"
> Hémisphère Son "Juan Arroyo recreates through the acoustic instrument the world of the electric guitar and its distortion (...) and other effects (...) spectacular testimonies to the power of our composer's gesture and imagination, challenging his performer."
> OJO DORADO magazine “If there is a Peruvian musician who has carried
the integration of electronic lutherie and instrumental writing to a definitive degree of maturity, that is Juan Arroyo.”
> Centro del Sonido "Juan Arroyo has made a name for himself thanks to the originality of his contributions in electroacoustics and the visceral intensity of his instrumental writing."
> La Cartelera
Interviewed by Carlos Hernando Castro

> Agitación y Cultura
Interviewed by Olga Ayuso
Published on March 5, 2020 in Canal Extremadura
> Expreso newspaper "To review the history of Juan Arroyo is to find the traces of a journey that is nothing other than the product of a talent dedicated to the passion of his determined vocation and the search for quality, recognized in his production."
> Radio France internationale
Interviewed by Jordi Batalle
Published on May 20, 2019 for Radio France International
> El compositor habla
Interviewed by Ruth Prieto
Published on November 17, 2018 in El Compositor Habla
> France Musique
Du son hybride à l'instrument hybride
Interviewed by Clément Lebrun
Published on November 13, 2018 for Cri du Patchwork by France Musique
> MProvence
Interviewed by Diane Vandermolina
Published on October 6, 2018 for Provence journal
> Rmt News "He offers the opportunity to discover a playful and surprising project, captivating, with its hybrid instruments (...) which play on their own (...) This protest work seduced us as it proved to be so topical."
> RAI 3
Interviewed by Riccardo Giagni
Published on the 11th of 2018 by Radio3 Rai
> El compositor habla
Interviewed by Ruth Prieto
Published on June 11, 2018 by El Compositor Habla
> Codalario.com
Interviewed by Ruth Prieto
Published on June 7, 2018 for Codalrio.com
> France Musique
Full broadcast and portrait of the composer
By Anne Montaron
Published on February 17, 2018 on France Musique
> Crítica: Sonido Extremo en Ensems "Poetry and cante jondo crossed and embraced in the “powerful environment of tribal rhythms, acoustic sensations and expressive intensity."
> Spanish Radio and Television
Interview on RTVE's Música Viva program by Eva Sandoval
Published on May 21, 2017
> Radio Filarmonía
National Symphony Orchestra of Peru performs works by Jean Sibelius and Juan Arroyo
By Juan José Tyz
Published on August 8, 2017
> Andina Radio
Interview on the program De Cazuela by Carlos Carlín
Published on July 25, 2017
> Caretas magazine
Juan Arroyo at Gran Teatro Nacional
By Caretas
Published on August 10, 2017
>Caretas
Juan Arroyo estrena obra en Gran Teatro Nacional...by Ernesto Carlín
Publicado el 10 de Agosto del 2017
> El compositor habla
Juan Arroyo premieres Smaqra in Tunisia
By Ruth Prieto
Published on December 26, 2016
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> France Musique
Juan Arroyo and Jeanne Maisonhaute on France Musique
Interviewed by Bruno Letort
Published on December 26, 2016
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> El Peruano journal
A Peruvian at the French Academy
By Ernesto Carlín Gereda
Published on June 28, 2016
20160628
> Bachtrack magazine "Juan Arroyo contributes to stimulating and enriching our perceptual experiences and his work on the transformation of sounds places us, as listeners, between the real and the unreal and on the borders of the unheard and the magic of sound"
by Fabien Houles
Published on April 1, 2016
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> El Comercio journal "Juan Arroyo, the composer who reinvents electroacoustic music"
By Alonso Almenara
Published on January 24, 2016
C13-Musica

SMAQRA: the emergence of hybrid string quartet/IRCAM Forumnet
By Juan Arroyo
Published on January 15, 2016

>Learn more...


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> El compositor habla
Interviewed by Ruth Prieto
Published on September 22, 2015
> Le Soir journal
By Serge Martin
Published on 27 May 2015
> France Musique
France Musique/Le Magazine de la Contemporaine
By Arnaud Merlin / Le reportage de Pierre Rigaudière
Published on February 9, 2015
Diapason / Jeu de masques
By Bertrand Boissard
jeuxdemasques
> Quatuor Hybride - Naissance d'une liberté nouvelle
By Alonso Almenara
Published on January 14, 2015
> Lamula.pe "In my opinion, the most radical of the Peruvian composers of the last decades."
> Vincent Trollet compositeur "he manages, thanks to an undeniable inventiveness in the orchestration, to create a mineral form that is slashed and lacerated with uppercut gestures."
> Ser peruano
Juan Arroyo's first string quartet will be premiered
Published on October 14, 2013
> Anaclase
Journées de la composition
By Jorge Pacheco
Published on October 7, 2011
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> On va à Royaumont comme on veut, à pied... "Fertility, the composer's imagination arousing that of the listener, which fortunately escapes the composer's control. Even if that of Juan Arroyo seems limitless."
By Philippe Danel
Published on September 18, 2010