CHANTS TCHEQUES

“Harmonizing Traditions: A Fusion of Written and Oral Musical Worlds”

Work: Chants Tchèques
Composer: Juan Arroyo
Duration: 12 minutes
Instruments: for traditional music singers (or mezzo-soprano) and ensemble

Written during the confinement and composed of six chants, this piece is the result of an escape, a fictional journey, a traverse to distant places, within my imagination at my work table. This piece, composed of six chants, embodies an audacious challenge: to bring together two strongly contrasting musical traditions. On one hand, the written tradition, with its rigor and demand, and on the other hand, the oral tradition, rich in spontaneity and emotion. The idea was to create a symbiosis between these two worlds, to make them coexist and dialogue within a single work. I dedicate these Czech Songs to Bruno Letort, without whom this musical adventure would not have come to life. Thanks to him, I was able to break free from borders and venture far from cloistered territories. The premiere of this work took place on November 29, 2022, at the Ars Musica Festival, with the participation of the Grunik and Fractales ensembles, at BOZAR in Belgium. It was an unforgettable moment, and I am delighted to share this experience with you today.

Author: Juan Arroyo

Composer in residence at the Center Henri Pousseur (2014), IRCAM (2015), Cité Internationale des Arts (2015), Member of the Academy of France in Madrid – Casa de Velazquez (2016), at the Art Zoyd Music Creation Center (2017), member of the Académie de France in Rome – Villa Médicis (2017), Juan Arroyo is actually the guest composer of the National Orchestra of Peru, co-artistic director and conductor of the Regards ensemble, co-artistic director of the Sonomundo Festival, curator of the Experimenta festival at the Great National Theater of Peru, professor at the d’Argenteuil conservatory and member of the Artistic Council of the Casa de Velasquez. Juan Arroyo was born in Lima, Peru. He studied composition at the Conservatories of Lima, Bordeaux and at the National Conservatory of Music and Dance in Paris. He deepens his musical knowledge in formations like Voix Nouvelles and the IRCAM. He has been guided by eminent composers such as Allain Gaussin, Brian Ferneyhough, Heinz Holliger, Henri Pousseur, Jean-Yves Bosseur, Luis Naón, Mauricio Kagel, Michael Levinas, and Stefano Gervasoni. His music is rewarded with numerous awards such as the prize of the Salabert Foundation (2013), the prize of the Academy of Fine Arts of France (2015) and the Ibermusicas composition award (2022). He receives prestigious commissions from the French Ministry of Culture, Radio France, Centre Henri Pousseur, SACEM and Donaueschinguen Musiktage. His works are performed by eminent musicians such as Ensemble Intercontemporain, L’Itinéraire, Linea, LAPS, L’Arsenale, Proxima Centauri, Sonido Extremo, National Orchestra of Peru, Vertixe Sonora and Tana Quartet. His music is performed at great festivals such as Ars Musica, Présences, Cervantino, La Chaise-Dieu, Ensems and ¡Viva Villa! His compositional work revolves around sound hybridization. Indeed, in 2014, he began a fundamental stage of his artistic work with the construction of new instruments capable of transmuting their sound, the TanaInstruments. This allowed him to hybridize the perceptual cues of sounds in order to reveal the evocative and irrational nature of their substance, sometimes making them enigmatic.

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