URBAN PICTURES

It all began with a walk along the Saint-Denis Canal. Discovering the immense murals lining its banks, I was struck by their presence, their energy, and the way they give the city a soul. Standing before those painted walls, the idea for Urban Pictures came to me: What if music could capture that same energy, that same vitality? Urban Pictures is a deep dive into the urban universe, a meeting point between street art and music, where every note, every movement, and every beam of light seeks to convey the raw emotion of these murals. On stage, four dancers embody the city in all its vitality, while five musicians, positioned above, sketch its sonic landscape. An electronic sound system and sculptural lighting envelop the audience, creating an immersive experience where the city reveals itself in a new light. The 51-minute piece, performed without interruption, draws direct inspiration from iconic works of Parisian street art. Métaux Parlants evokes the noise of construction sites, Aérosol the revelation of walls through color, Pulse the city’s relentless rhythm. Then come more intimate moments: La Ville en Deuil, where a lone dancer seems to carry the weight of memories, Silent Shadows, where a piano converses with the shadows of passersby, Love Fragments, where love endures despite the urban clamor. Finally, 20 Mille Lieues Sous La Scène, La Dérive, and Street Art Avenue take us on a sonic and choreographic journey, culminating in the final dissipation of energy. With Urban Pictures, I invite you to walk with us through the invisible streets of this imaginary metropolis.

Author: Juan Arroyo

Composer in residence at the Center Henri Pousseur (2014), IRCAM (2015), Cité Internationale des Arts (2015), Member of the Academy of France in Madrid – Casa de Velazquez (2016), at the Art Zoyd Music Creation Center (2017), member of the Académie de France in Rome – Villa Médicis (2017), Juan Arroyo is actually the guest composer of the National Orchestra of Peru, co-artistic director and conductor of the Regards ensemble, co-artistic director of the Sonomundo Festival, curator of the Experimenta festival at the Great National Theater of Peru, professor at the d’Argenteuil conservatory and member of the Artistic Council of the Casa de Velasquez. Juan Arroyo was born in Lima, Peru. He studied composition at the Conservatories of Lima, Bordeaux and at the National Conservatory of Music and Dance in Paris. He deepens his musical knowledge in formations like Voix Nouvelles and the IRCAM. He has been guided by eminent composers such as Allain Gaussin, Brian Ferneyhough, Heinz Holliger, Henri Pousseur, Jean-Yves Bosseur, Luis Naón, Mauricio Kagel, Michael Levinas, and Stefano Gervasoni. His music is rewarded with numerous awards such as the prize of the Salabert Foundation (2013), the prize of the Academy of Fine Arts of France (2015) and the Ibermusicas composition award (2022). He receives prestigious commissions from the French Ministry of Culture, Radio France, Centre Henri Pousseur, SACEM and Donaueschinguen Musiktage. His works are performed by eminent musicians such as Ensemble Intercontemporain, L’Itinéraire, Linea, LAPS, L’Arsenale, Proxima Centauri, Sonido Extremo, National Orchestra of Peru, Vertixe Sonora and Tana Quartet. His music is performed at great festivals such as Ars Musica, Présences, Cervantino, La Chaise-Dieu, Ensems and ¡Viva Villa! His compositional work revolves around sound hybridization. Indeed, in 2014, he began a fundamental stage of his artistic work with the construction of new instruments capable of transmuting their sound, the TanaInstruments. This allowed him to hybridize the perceptual cues of sounds in order to reveal the evocative and irrational nature of their substance, sometimes making them enigmatic.

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